{"id":11401,"date":"2026-02-16T20:02:50","date_gmt":"2026-02-16T16:32:50","guid":{"rendered":"https:\/\/poushehprojects.com\/encounter-on-elaheh-motamedi-moghaddams-recent-exhibition-at-art-wall\/"},"modified":"2026-02-19T21:01:15","modified_gmt":"2026-02-19T17:31:15","slug":"encounter-on-elaheh-motamedi-moghaddams-recent-exhibition-at-art-wall","status":"publish","type":"post","link":"https:\/\/poushehprojects.com\/en\/encounter-on-elaheh-motamedi-moghaddams-recent-exhibition-at-art-wall\/","title":{"rendered":"Encounter \/ On Elaheh Motamedi Moghaddam\u2019s Recent Exhibition at Art Wall"},"content":{"rendered":"\t\t
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On Elaheh Motamedi Moghaddam\u2019s Recent Exhibition at Art Wall (Risheh Collection)<\/span><\/p>

Encounter<\/h2><\/div>
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The art wall exhibition \u201cEncounter\u201d by Elahe Motamedi Moghaddam, born in 1987 and holding a Bachelor\u2019s degree in Chemistry, has been held at Gallery Risheh 29 from January 2 to January 16, 2025 and has welcomed audiences throughout this period. The exhibition began during a time of social unrest in Tehran, and this temporal coincidence has imbued it with a meaning beyond a purely artistic event. Its continuation under such circumstances represents a quiet, understated act of resistance\u2014one that emphasizes \u201cperseverance\u201d rather than protest.<\/p><\/div><\/div><\/div>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Elahe Motamedi Moghaddam, originally from Isfahan, has built her artistic practice on lived experience, studies in Jungian analytical psychology, and spiritual inquiry. This combination of scientific perspective (stemming from her background in chemistry) and inner exploration is reflected in the forms of her work, which do not merely narrate visually but represent the psychological states of contemporary humans.<\/p><\/div><\/div><\/div>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The current exhibition includes small-scale drawings, paintings, and sculptures in papier-m\u00e2ch\u00e9. The choice of this medium carries meaning: papier-m\u00e2ch\u00e9 is simultaneously fragile and reconstructible, much like individuals and communities in times of crisis. The small drawings resemble personal notes\u2014moments of self-confrontation\u2014while the sculptures, with their semi-human and animal-like forms, depict a state of suspension between instinct and awareness, where Jungian unconscious themes intersect with contemporary experience.<\/p><\/div><\/div><\/div>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The exhibition poster itself functions as an independent visual text. The central image depicts a leaping, dual-natured figure, suspended between earth and air\u2014not entirely falling, nor fully flying. This figure serves as a metaphor for the contemporary human condition: suspended between anxiety and liberation. The soft pink tones over a cold, gray background create a contrast between delicacy and harshness, vulnerability and resilience. The rough texture of the image echoes the tactile quality of the papier-m\u00e2ch\u00e9 works, reinforcing the exhibition\u2019s world as fragile yet enduring.<\/p><\/div><\/div><\/div>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The arrangement of information on the poster in both Persian and English, symmetrically placed on either side of the image, introduces a sense of visual order against the formal chaos, as if reason and structure are counterbalancing the figure\u2019s instinctive movement. In this way, the concept of \u201cEncounter\u201d is not only about the audience engaging with the artwork, but also about the interaction between two psychological states.<\/p><\/div><\/div><\/div>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Meanwhile, the role of Hoda Sargordan<\/strong> as the director of Gallery Risheh goes beyond administration; it is a cultural act. Maintaining the exhibition at a time when many cultural spaces are closed or inactive represents a form of resistance\u2014resistance that preserves the possibility of dialogue through art.<\/p><\/div><\/div><\/div>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u201cEncounter\u201d can be seen as an exercise in hope\u2014not naive optimism, but the determination to continue. This exhibition demonstrates that art can serve as a temporary refuge amid turmoil: a space for pause, confrontation, and inner reconstruction. Ultimately, \u201cEncounter\u201d captures a moment of conscious wandering\u2014a wandering that, while painful, is still visualized, created, and brought to the wall.<\/p><\/div><\/div><\/div>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\ufeff<\/span>\ufeff<\/span>Ghazaal Zare<\/strong><\/p>

Winter 2025\u20132026<\/p><\/div><\/div><\/div>\r\n\t\t<\/div>\r\n\t\t\r\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

On Elaheh Motamedi Moghaddam\u2019s Recent Exhibition at Art Wall (Risheh Collection) Encounter _ The art wall exhibition \u201cEncounter\u201d by Elahe … <\/i>\u0627\u062f\u0627\u0645\u0647 \u0645\u0637\u0644\u0628<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":11389,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1274,1290],"tags":[],"class_list":["post-11401","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles","category-criticism"],"yoast_head":"\nEncounter \/ On Elaheh Motamedi Moghaddam\u2019s Recent Exhibition at Art Wall - \u067e\u0631\u0648\u0698\u0647\u200c\u0647\u0627\u06cc \u067e\u0648\u0634\u0647 | \u063a\u0632\u0627\u0644 \u0632\u0627\u0631\u0639<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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